Відео

An attitude of ownership incomparably improves tone and phrasing.

I would say put your headjoint wherever you play best with your tuner. However I have heard that while there is a tendency to roll it in, rolling the head joint to far in limits you when the going gets tough...

Sravinsky was responsible for the boogie woogie term

His phraseology is priceless!

Making every single note count 🎺🎵🎺👍🎵Stay on top of the note!👏👏👏

In the first part of the session V. uses the basketball metaphor to impart some basic phrasing. It takes her a few tries, but eventually she gets it. (BTW the metaphor is not at all 'out there': a conductor I played under for a number of years used a similar one, though he preferred tennis ball and racket to basketball and hoop!) In the second part V tries to open her up to the singing possibilities in the music but it is a hard lesson for her, because she has done too much rote playing up till now.

0:08 0:55

so great, Hakan makes his C-trumpet sound much more soft and mellow than Elizabeths Bb trumpet.....fantastic !

Joshua Bell, listen to this great teacher!

Cosa c'entra tutto questo con il brano "Beware!" di Benjamin Britten?'!!

Thanks!

Great voices. I would love to hear a gender switched magic flute.

I love Quasthoff but this is embarrassing because he spends so long on getting her to repeat a mispronunciation of the Italian text, which is "Che" not "Chel".

Maxim Vengerov is my absolutely favourite violinist! His imagination is so great and he puts it so well into action is his masterclass and playing

Berbat

Jesse Norman? Really? I wouldn't point to her for great technique.

The Meister could have coaxed it out of the young man instead of mocking him and having him imitate. This is a little abusive.

After I die, the first thing I will say when I get there is: thank you God for putting the violin on my path in the world. Forgive me for not being a very good violinist, I did what I could do, whatever the case, the violin made my existence much happier. Thank you very much.

this is magic

She’s not listening to him

Totally outraged😩

but you have to decide which it is ( the accompaniment) - horses or the viola upbow - horses will clip along on a constant tempo , but the upbows will be on (what we call) the back end of the beat. so it sounds like the performer has a choice to make in the interpretation - no?

“I’m unemployed!” 😂😂

Master teacher. Master student who will be a master teacher himself one day.

Playing because you honestly think that God is listening.

"Longing for something." Come on, just say it was longing for Clara.

The noah's face at the end: This is so beautiful 😍

Toscanini painted dark stains on both his temples so that the musicians were always under surveillance, no matter where he looked.

Beautiful videography appreciate the sound recording as well

Smashing the keyboard doesn't make music sadly

Wow :))) need I say more

Sto qua ci ha troppe balle dove non occorre,poi glielo farò sentire io come si suona

Finally someone that agrees with me!!! I can’t tell you how annoying it is to hear this in singing and ruining vowels. Cecelia Bertoli and Rockwell Blake are famous for this and people encourage them when they sound terrible doing it. How can you take a singer seriously if they take shortcuts for technique discrepancies?

I hear the difference. Really nice explained! Thank you! I wish I had this nice teacher!!

I think the third variation there needed to have been played with a bit more "boogie-woogie"! (I am joking - I instantly thought of rag-time/boogie-woogie the first time I heard this variation in piano sonata no. 32, but it is mistaken to impose a later musical category onto Beethoven, out of its own time.)

Some fearless technique with great intelligence and imagination. Interesting thoughts on programming, showing that there are closer parallels between those two composers than might be expected.

Das wichtigste beim Lied ist die Geschichte und den Text beim singen selbst zu durchleben. Jede Stimmpräsentation und jede unnatürliche Technik ist fehl am Platz. Wer natürlich singt, frei von jeder Erwartung oder Vorstellung wie was klingen soll singt immer richtig. Die eigene Empfindung lügt nie, ist immer richtig und glaubhaft. Mit dem Blick als Betrachter auf das Ende der Geschichte, als Betrachter der der Sänger in diesem Lied ja ist, könnte der letzte Text "In seinen Armen, das Kind war tot" ebenso im Piano gesungen werden. Es wäre ebenso richtig. Je nachdem wie man das Ende der Geschichte selber fühlt. Soll es ein hartes lautes Ende sein? ein etwas distanziertes mit dem man schockieren will oder ist man näher dran und kann es selber kaum fassen dass das Kind tatsächlich gestorben ist. Dann fehlt jede Kraft für ein forte am Ende und es kann nur ein fassungsloses Piano sein. Jedes Lied lässt Spielraum und jeder Sänger muss seine eigene Interpretation finden. Alles andere wäre nur nachgemacht. Vom eigenen Gefühl heraus zu singen ist der richtige Weg.

What a brilliant teacher and coach!!!! His whole body personifies the music!!!! BRAVO!!!!!

The secret to singing songs lies in naturalness and simplicity. Never try to create sounds artificially. Feel what you are singing. Experience what you sing. Don't let anything distract you. Singing is not mathematics. Be yourself. When you sing, don't think about any lessons or anything you've ever heard. Then you will find your own style. Everyone has to find their own style. Feel about what you want to sing about beforehand. Sink into it. See the pictures in front of you. Look at them. Then sing naturally and free from everything else that doesn't belong. Therein lies the art of the song.

When she played the big G7 chords, she tended to become stagnant. The chords never seemed to LEAD somewhere-they all sounded alike rather than having an intense momentum all the up to the diminished A flat chord, which is what I think Kovacevich was speaking about.

As I understand affetuoso means dolce, loving in italian. And not passionate

Die wunderbare Julia lezhneva. Ich glaube nicht, dass sie von ihm so viel lernen kann. Ich glaube, sie ist etwas genervt.

Das interpretiert wohl jeder anders. Technische Vorgaben ja, aber eine Kopie zu verlangen, von dem was man selbst richtig findet, kann es auch nicht sein.

I dont understand this whole joint thing...natural is best way

I come back to watch this every few years. I don’t play or even particularly like trumpet. But this is so enjoyable somehow 🤷‍♀️

Very nice lesson. Ani Kalayjian was a real talent and delightful young person

She has a very clean technique but she doesn't get Liszt's playful feeling for this piece.

As usual a myster man behind maxim sitting on chair never disapear,hehe

Who is that man behind maxim ,sitting on chair,he has no absent on every maxim teaching.

you reject the boogie-woogie analogy because you're not giving it any lilt, my man.